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Highlights of Past Programs
When the People’s Republic of China was established in 1949, collectors rethought their activities in the new political environment. In this talk, Dr Wendy Larson introduces the contentious debates among stamp collectors in the 1950's, which focused on both the dangers and pleasures of the hobby.
body of Lady Dai, the wife of the Marquis who governed that region. Maihwa Frances Li shows us numerous artifacts which accompanied the body, as well as nearby tombs of the Marquis and a possible son.
While highlighting Chinese American stories, there will also be references to more than 10,000 years of the contributions of women in Native American, pioneer, Progressive Era, World War I, World War II, and post-war history, as well as arts and politics.
Contemporary Chinese Society:
A View from the Films of Zhang Yimou Dr. Wendy Larson May 6, 2017 Zhang Yimou (1951-), who directed the spectacular opening ceremonies of the 2008 Beijing Olympics, is one of China’s most acclaimed cinematographers. His films, such as Raise the Red Lantern, Happy Times, and Hero, revolutionized Chinese cinema and are often closely connected to issues within Chinese society. This lecture will trace the links between several of his films and such issues.
A nature walk guided by the Curator of Hoyt Arboretum to discover and focus on Hoyt’s collection of Ginkgo trees. Along the White Pine trail, we will observe and learn about many other tree species, including the wild, “scary” Monkey-Puzzle tree and the ancient Bristlecone Pine.
Dr. Ann Wetherell discusses and explores an unpublished hand scroll of Buddhist luohans (stream crossers) in the collection at Pacific University. Signed by the professional artist Zhou Xun (1649-1729), who worked in Nanjing in the early part of the Qing dynasty, this energetic painting has much in common with the gently humorous images of luohans that gained popularity in the late Ming and Qing periods. However, aspects of this painting, in light of the biography of the artist, suggest a darker message of protest against the Manchu state.
including various forms of herbal medicine, acupuncture, massage, exercise and dietary therapy. Such doctrines are rooted in books such as the “Yellow Emperor's Inner Canon” (1st century BCE) and the “Treatise on Cold Damage,” as well as in cosmological notions about yin-yang and the five phases. Starting in the 1950s, these precepts were standardized in the People's Republic of China. Like much of Chinese heritage, its medicinal arts are linked closely to nature, the environment, and a respect for the different seasons. Discover its historical philosophy of treating the individual rather than the disease through insight and nurturing; and how practices, while carried forward, have evolved between the pre- and current Communist eras. This lecture will focus on Chinese medicine for summer.
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For over 3,000 continuous years in China, chops, or seals, have been used in lieu of signatures on personal and official documents, contracts, and art for acknowledgment or authorship. The earliest known seals date from the Shang Dynasty (1600- 1046 BCE). By the Han Dynasty (206 BCE-220 AD), they were an essential part of Chinese culture and eventually spread to Korea and Japan. Seals are carved from various materials and used with red cinnabar paste. The carving and collecting of chops was a part of the Chinese literati milieu.
Dr. Michael Riley shares his perspectives of the porcelains of the Qing Dynasty as icons of Chinese culture by looking at the depiction of nature and garden scenes on them. Through the evolutionary use of designs, traditional forms, colors, glazes, enameling techniques, symbolism, and iconography, the unique characteristics of the Chinese culture are revealed.
Lingnan Gardens:
Another Regional Garden Style of Southern China Ina Asim May 7, 2011 Dr. Ina Asim, a University of Oregon professor who has studied gardens in China for years, presents the Lingnan Gardens, built along the Pearl River delta and coastal areas of Guangdong province in southern China. Endowed with a unique climate, this area is a school of its own in terms of language, theatre, music, painting, and arts and crafts, Lingnan Gardens reflect their local traditional culture and are unique in their architecture, layout, and ornamentations.
Dr. Juwen Zhang of Willamette University discusses ancient Chinese music and gardens: “catch the lasting rhythmic qi and the rare sound in an effort to keep a calm heart distant within the surrounding clamor.” Dr. Zhang explains how artistic pursuits in poetry, painting, calligraphy, and gardens developed into one entity a millennium ago, and embodied the core beliefs and values in Chinese culture. Following the talk, Dr. Zhang inconspicuously plays ancient wind instruments in the Garden.
Donald Jenkins will share with us the unique ideals of a Chinese Scholar during the Ming and early Qing periods, what items they valued and used, and other accoutrements which they collected in their private studies. Very importantly, the significances of these many different objects and implements will be noted.
To this day, operatic professionals are still referred to as “Disciples of the Pear Garden.” Mary Leong, a fourth generation Chinese resident of Portland, introduces us to Chinese Opera in Portland. She reminisces about the plots, costumes, makeup, colors, dances, acrobatics, and the distinctive dialectical music unique to the Chinese opera.
All of Nature’s Splendors: Some Thoughts on Chinese Gardens, Past and Present
Kevin Greenwood March 3, 2007 The topic covers the key traditional ideals of a Chinese garden, which are reflective of cosmological concepts and literati ideals. In addition, it touches upon how the Qing Imperial gardens broadened these themes in a more overtly political realm. The presentation concludes with some thoughts on modern Chinese gardens in North America (like Lansuyuan) and further interpretations of how they add to China’s centuries’ old garden traditions.
The ubiquitous calligraphy over the Moon Gate, “Read the Landscape” or “Read the Painting” is always intriguing to the visitors of the Garden. Dr. Eddy, one of the Lan Su Chinese Garden's original docents, will reinforce the understanding of this ancient metaphor by digitally unrolling the hand scroll, “Colorful Lanterns at Shangyuan” (currently on exhibit in the Boathouse pavilion) just as the Chinese literati would when sharing such a prized possession with a few close friends in his private studio. By exploring an antique and penjing market, we will gain insights as to what a scholar-official might envy or procure for his Study to complement his garden and his Four Treasures.
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